KunTao Silat

ThunderRock GrandMaster KunTao Silat WarChest

 
 

 

HeartLess Monkey Knife II

  • Maduran blade fighting: Uncle Bill
  • Live Blade: Pak Victor
  • Sticking hands: Steve Gartin
  • Exotic weapons & Serak Djurus: Chas Clements
  • and much more . . .
  • <nemo outis@erewhon.com (nemo outis)> wrote > Excellent!  That's exactly the response you want to have on the
    > record.  Good silat!

    It is-
    and a good segue` into saying a bit more about the video

    In the first HMK, we covered different sorts of knives, carry systems, some first aid kinds of things- then showed some grip styles, openings/draws,
    basic floorwork and stepping, and some practice methods and applications.

  • In HMKII, we amplify on all those concepts- there's more applications, lots of them. There's more about the knife, the use of the edge, anatomical
    targets. There are throws compelled by the blade, lots of grappling, unarmed responses to attack, little tricks and tips, and a wealth of knowledge that
    will meld seamlessly with any other martial art or serve as a stand-alone system.

  • The art is taken from Maduran Silat, as practiced by Tai Eng, a butcher. He applies the knife not only as a master of silat, but as a man who worked the
    blade on meat for a living. It lends itself to the smaller blades rather than being an art ratcheted down from using agricultural blades. It is
    perfect for the tactical folders and basic 'hunting' knives.

  • Most of the material is taken from seminars, workshops, personal intensives and performance footage, so there is no 'dead time'. Lots of stuff from
    Willem de Thouars and Senior Students; it moves very quickly and covers a lot of material. We're martial artists making videos, not video producers
    trying to learn martial art. You'll find the information useful, shot from good angles and the choice of material will aid your solo practice very
    practically.

  • Each of them is good by itself, material is not repeated or anything, but you probably ought to have both of them to appreciate the breadth of the
    system. We're just finishing up HMKIII, and the set of three will pretty much form the curriculum of the art, and be useful for studying at home
    without further instruction-

  • It's not like it's brain surgery- you know, unless it is.
    --
    Chas
    http://www.willemdethouars.com
    http://www.kuntaosilat.com/DVDs.html

     

    This is a review of the DVD series produced by Steve Gartin and Chas Clements, et. al., practitioners of the Indonesian-based art of Kuntao-Silat entitled Heartless Monkey Knife, volumes II and III.

     

    ThunderRock Backyard Productions is an in-house video presentation put together by Steve. Though it is not done by professional studio, it is very well done, with superb backgrounds, titles and clear video and sound.

     

    In Heartless Monkey Knife II, the production values have improved over earlier titles, with a nice menu front end and artistically done titles, while maintaining the 'backyard' folksy tone that we've come to expect. Video quality is also improved making this title both entertaining and enjoyable.

     

    The DVD is organized into 11 chapters, accessible from the top menu.

     

    We start out with a review of some of the blades found in Indonesia, by Chas Clements, starting with the Keris (Kris) or wavy bladed dagger.

     

    Immediately one gets a sense of the substantial knowledge and background of the presenter, Mr Clements, as he goes over the function of the wavy blade, and later talks about the various types and weights and blade compositions.

     

    Next we move to an examination of the Kerampit or Kerambit, an assassin's weapon, examining the specifics of the sheath, and configurations for wearing the blade.

     

    Moving through a few other bladed weapons, including the Kukri, showing grip and basic deployment.

     

    Chapter three and four are two forms performed by Willem deThouars, the first a knife form called "Tai Eng", featuring an imaginary fight against multiple attackers. This form shows the close in fluid moves of the blade, use of the alive hand, and the economy of motion noted in the Indonesian arts. It would be instantly recognizable by most Filipino martial artists as 'the flow'. These kinds of forms are not really set patterns, and one might suspect that while certain parameters are followed, the form is more free-flow than the set patterns of typical Japanese, korean or similar hard arts.

     

    The second form, even more free flow is entitled "Crazy Monkey", and is done without a weapon, but could easily incorporate one. Again, most FMA stylists would recognize the attributes demonstrated.

     

    Chapter five and six are combined and begins with a snippet of a seminar held by Victor deThouars (Pak Vic), the youngest of the brothers, as he gives some practical advice about training with live blades versus training blades.

     

    Chapter seven follows Pak Vic to a blade show where he goes over some one-steps against the thrust, showing some disarms.

     

    Chapter eight shows an another form by Willem, or "Uncle" as he is called by his students, featuring a single blade, demonstrating a free flow low line attack and response to imagined multiple attackers. I might add that he shows the agility of a young man, despite being 69 years old, moving with exceptional flow, speed and agility.

     

    In Chapter nine, the video then goes to a section where Chas talks to a friend about his personal blades, large and small, including a short section on use of the fighting hatchet; overall an entertaining and interesting segment.

     

    Chapter ten entitled 'Sticking Hands' goes over a flow drill, very similar, but less structured than the FMA 'de cadena' or chain of hands. After a minute or two they add training blades and demonstrate a very unstructured version of this.


    The last chapter features another one-step drill against the knife thrust, offered as a bonus feature by a much younger Steve Gartin, showing the response at normal speed, then in slow motion.

     

    Finally, as the credits roll, Uncle does another very nice single blade free-form featuring an incredible jumping move in slow motion where this almost seventy-year-old gentleman jumps at least 2-3 feet in the air.

     

    This is definitely a must-have video series by any practitioner of the art of Silat, though it's mostly a demonstration of the art more than a how-to instructional video. It will be easily followed and digested by any student of the Filipino martial arts, and a nice addition to any collection.


     

    by: Southern Badger - Rec.Martial-Arts Newsgroup

     

 

Last modified: 01/24/08